Parisienne Walkways amp settings — Moreno Moreno MGA15
The Gary Moore guitar tone for “Parisienne Walkways”, dialed in for a Moreno Moreno MGA15 with a Fender Debut series HSS. Studio version, Back On The Streets album (1979)
1959 Gibson Les Paul 'Greeny' (middle position, out-of-phase) → Mesa Boogie combo → 4x12 cab, EMT 140 plate reverb in mix
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 4 |
| Mid | 6 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 6 |
| Master | 7 |
01Tube Screamer style overdrive (TS9 / TS808 clone)
RECOMMENDED — not currently owned. Use as a clean boost/sustainer with low drive to push the amp into smooth singing sustain without harsh distortion. This compensates for your amp's limited clean sustain compared to the Mesa Boogie.
The original used a humbucker Les Paul with out-of-phase wiring through a high-headroom Mesa Boogie set nearly clean. Your HSS Strat's humbucker is in the bridge, not neck—use the neck single coil instead and roll tone to 6 to approximate the warm, vocal quality. The MGA15 is a budget practice amp with limited clean headroom, so keep gain at 3 to stay clear; a TS-style pedal set as a clean boost is essential to get the singing sustain Moore achieved. Push mids to 6 to compensate for the amp's naturally scooped voicing.
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These settings are for a Moreno Moreno MGA15. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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