Tone library / Gary Moore / Parisienne Walkways

Parisienne Walkways amp settings — Fender Mustang LT25

The Gary Moore guitar tone for “Parisienne Walkways”, dialed in for a Fender Mustang LT25 with a Ibanez rg420ex. Studio version, Back on the Streets (1979) — lead melody

Original rig

1959 Gibson Les Paul Standard ('Greeny'), Mesa Boogie Mark I combo into 4x12 cab, Neumann U87 mic, EMT plate reverb

Warm, singing sustain with vocal-like midrange bloom; clean-ish foundation breaking into creamy overdrive on sustained notes
Amp settings — Fender Mustang LT25
CHANNELBURN amp model
GAIN 6 BASS 6 MID 8 TREBLE 5 MASTER 7
KnobSetting (0–10)
Gain6
Bass6
Mid8
Treble5
Master7
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Guitar
PICKUPneck TONE7 VOLUME10
Signal chain

01COMPRESSOR

Onboard STOMP block to replicate the endless singing sustain and dynamic bloom of Gary's cranked Mark I

Threshold 6 · Gain 7

02PLATE

Onboard REV block set via encoder to replicate the studio EMT plate reverb

Level 5 · Decay 6
Why these settings

The original singing lead comes from a cascading Mesa/Boogie Mark I pushed into controlled feedback. On the Mustang LT25, the BURN model delivers the necessary cascading preamp compression and smooth sustain without fizz. To compensate for the ceramic pickups in the Ibanez RG420EX, the neck pickup is selected with guitar tone dialed back to 7 and amp treble pulled back to 5 for that thick, vocal-like blues bloom. Middle has no knob on the LT25: press the encoder to open the preset, press it again on the amp model, then select MIDDLE on the display and turn the encoder.

PRO TIPFace your amplifier at moderate volume and use wide, continuous vibrato with the pad of your fretting finger — Gary held the iconic high sustained note through physical acoustic coupling between the guitar body and the speaker cabinet.

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These settings are for a Fender Mustang LT25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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