Everlong amp settings — Vox AC30VT
The Foo fighters guitar tone for “Everlong”, dialed in for a Vox AC30VT with a Epiphone Les Paul Standard 60s. Studio version, The Colour and the Shape (1997)
Mesa/Boogie Dual Rectifier (distorted sections), Fender/Zinky ToneMaster (verses), Gibson Trini Lopez/ES-335, bridge humbucker, Drop D tuning
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 4 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 6 |
01ProCo Rat 2 or similar distortion
RECOMMENDED — not currently owned. Essential for getting the Rectifier-style saturation the AC30 modeling cannot replicate alone. Without this, the tone will lack the aggressive compression and harmonic density of the original.
The original Mesa Rectifier has a scooped, high-gain voice with tight bass response. Your AC30VT's Vox modeling is inherently mid-forward and chimey with less gain on tap. Pushed mids to 7 (vs original's 6) to compensate for the Vox's natural mid-scoop at high gain, dropped treble to 6 (vs 7.5) because the AC30 voicing gets ice-picky where the Mesa stays warm. A Rat-style pedal is critical here — without it, you'll get a fuzzy, undefined crunch instead of the compressed chunk of the recording.
Get this tone on your amp
These settings are for a Vox AC30VT. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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