Everlong amp settings — Strydom Mini Riot
The Foo Fighters guitar tone for “Everlong”, dialed in for a Strydom Mini Riot with a Medellin Mdw1eh. Studio version, The Colour and the Shape (1997) — iconic main drop-D verse/chorus riff
Gibson Trini Lopez / ES-335 into Mesa/Boogie Dual Rectifier (Modern High Gain channel) and Marshall 4x12 cab, with ProCo Rat used on tracks
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Treble | 7 |
| Reverb | 0 |
| Master | 6 |
The Strydom Mini Riot is an ultra-compact practice unit lacking dedicated midrange and presence controls, so mid and presence are nulled while treble is pushed to 7 to replicate the Mesa Modern top-end bite. With no external pedals owned, the amp's onboard drive channel is set to gain 7 to deliver the necessary grunge crunch straight from the speaker. Adding an external Rat pedal in the future will tighten the low-end definition and match Dave Grohl's exact tracking chain.
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These settings are for a Strydom Mini Riot. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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