Everlong amp settings — Peavy Rage 158
The Foo Fighters guitar tone for “Everlong”, dialed in for a Peavy Rage 158 with a Greg Bennett Malibu. Studio version, The Colour and the Shape (1997)
Mesa/Boogie Dual Rectifier (high gain channel), Gibson Trini Lopez/RD Standard with PAF-style humbuckers, bridge pickup, Drop D tuning
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 4 |
| Mid | 7 |
| Treble | 6 |
| Presence | 0 |
| Reverb | 0 |
| Master | 5 |
01Boss DS-1 or ProCo Rat clone
RECOMMENDED — not currently owned. The Rage 158's solid-state gain is thin and fizzy at high settings; a dirt pedal in front with amp gain at 3-4 will get you closer to the Mesa's saturated compression. A used DS-1 runs $30.
The Rage 158 is a practice solid-state amp with a harsh, scooped voice compared to the Mesa Rectifier's thick tube saturation. I pushed mids to 7 (vs original 6) to compensate for the Peavey's natural scoop, dropped bass to 4 (vs original 5-6) because small speakers flub out with too much low-end, and cut treble to 6 to tame solid-state fizz. Without a pedal, this is the closest you'll get — but the tone will lack the original's harmonic compression.
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These settings are for a Peavy Rage 158. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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