Everlong amp settings — Laney mXd120H
The Foo Fighters guitar tone for “Everlong”, dialed in for a Laney mXd120H with a Ibanez GIO GRG170DX. Studio version, The Colour and the Shape (1997) — iconic main drop-D verse/chorus riff
Gibson ES-335 / Trini Lopez into Mesa/Boogie Dual Rectifier (Modern high-gain channel) with Marshall 4x12 and ProCo Rat
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 7 |
| Mid | 4 |
| Treble | 7 |
| Reverb | 1 |
| Master | 5 |
The Laney mXd120H solid-state head is naturally warmer with a British mid focus, so scoop the mids down to 4 and raise the treble to 7 to replicate the aggressive Mesa Dual Rectifier modern bite. Set the drive channel gain to 7 to deliver the necessary grunge crunch directly from the amp. The mXd120H faceplate lacks a dedicated presence control, so top-end articulation is handled purely through the treble knob.
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These settings are for a Laney mXd120H. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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