Tone library / Foo Fighters / Everlong

Everlong amp settings — Fender Twin Reverb

The Foo Fighters guitar tone for “Everlong”, dialed in for a Fender Twin Reverb with a Fender Player Stratocaster. Studio version, The Colour and the Shape (1997) — main drop-D chorus wall-of-sound

Original rig

Gibson ES-335 into Mesa/Boogie Dual Rectifier (Red Channel) blended with Fender Tone Master, 4x12 cab with Celestion V30s

Thick, high-gain post-grunge wall-of-sound with aggressive upper-mid punch
Amp settings — Fender Twin Reverb
CHANNELVibrato channel (Input 1)BRIGHToff
GAIN 7 BASS 6 MID 8 TREBLE 4 REVERB 1 MASTER 4
KnobSetting (0–10)
Gain7
Bass6
Mid8
Treble4
Reverb1
Master4
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01ProCo Rat 2 Distortion

RECOMMENDED — not currently owned (run direct into amp input)

Distortion 7 · Filter 6 · Volume 6
Why these settings

The Twin Reverb is a high-headroom clean platform that cannot produce Mesa Rectifier high-gain on its own, so we crank volume and mids while taming treble to push the power section into natural breakup for playability today. To compensate for single-coil Strat pickups versus Grohl's humbucking ES-335, roll your guitar tone back slightly to thicken the low-mids and soften single-coil icepick. Adding a distortion pedal like a ProCo Rat 2 will provide the true aggressive 90s saturation; with the pedal, drop amp volume back down to clean levels. Clean verse: pick lightly over the neck or middle pickup with guitar volume rolled back to 7.

PRO TIPEverlong is played in Drop D tuning (D-A-D-G-B-E); use aggressive, continuous down-picking with the edge of a heavy pick right near the bridge to replicate Dave Grohl's percussive, high-energy attack.

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These settings are for a Fender Twin Reverb. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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