Everlong amp settings — Fender Twin Reverb
The Foo Fighters guitar tone for “Everlong”, dialed in for a Fender Twin Reverb with a Fender Player Stratocaster. Studio version, The Colour and the Shape (1997) — main drop-D chorus wall-of-sound
Gibson ES-335 into Mesa/Boogie Dual Rectifier (Red Channel) blended with Fender Tone Master, 4x12 cab with Celestion V30s
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 8 |
| Treble | 4 |
| Reverb | 1 |
| Master | 4 |
01ProCo Rat 2 Distortion
RECOMMENDED — not currently owned (run direct into amp input)
The Twin Reverb is a high-headroom clean platform that cannot produce Mesa Rectifier high-gain on its own, so we crank volume and mids while taming treble to push the power section into natural breakup for playability today. To compensate for single-coil Strat pickups versus Grohl's humbucking ES-335, roll your guitar tone back slightly to thicken the low-mids and soften single-coil icepick. Adding a distortion pedal like a ProCo Rat 2 will provide the true aggressive 90s saturation; with the pedal, drop amp volume back down to clean levels. Clean verse: pick lightly over the neck or middle pickup with guitar volume rolled back to 7.
Get this tone on your amp
These settings are for a Fender Twin Reverb. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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