Everlong amp settings — Blackstar HT20R MkII
The Foo Fighters guitar tone for “Everlong”, dialed in for a Blackstar HT20R MkII with a Epiphone Les Paul Classic. Studio version, The Colour and the Shape (1997)
Mesa/Boogie Dual Rectifier Solo Head + Fender ToneMaster, Gibson Trini Lopez/RD Standard with humbuckers, no drive pedals — amp gain only
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 5 |
01Boss Blues Driver (BD-2)
Use as a clean boost to tighten low-end for Drop D — not required for the main tone but helps definition on palm mutes
The Blackstar HT20R's OD2 channel with ISF pushed toward British voicing approximates the Rectifier's mid-forward saturation. Your Les Paul's hotter humbuckers vs the original PAF-style pickups mean gain drops 1 point from the Recto's 7-8 range. Treble cut 1 point because the Les Paul is already darker than the semi-hollow Trini Lopez. Presence down 1 to avoid fizz — the HT20's EL34 power section is brighter than 6L6 Rectifier tubes.
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These settings are for a Blackstar HT20R MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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