Tone library / Foo Fighters / Everlong

Everlong amp settings — Blackstar HT20R MkII

The Foo Fighters guitar tone for “Everlong”, dialed in for a Blackstar HT20R MkII with a Epiphone Les Paul Classic. Studio version, The Colour and the Shape (1997)

Original rig

Mesa/Boogie Dual Rectifier Solo Head + Fender ToneMaster, Gibson Trini Lopez/RD Standard with humbuckers, no drive pedals — amp gain only

Thick, compressed high-gain crunch with mid-forward punch and controlled low-end in Drop D
Amp settings — Blackstar HT20R MkII
CHANNELOD2 (high-gain channel), ISF at 2 o'clock (British/Mesa voicing)BRIGHToffBOOSToff
GAIN 7 BASS 6 MID 7 TREBLE 6 PRESENCE 5 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain7
Bass6
Mid7
Treble6
Presence5
Reverb0
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Boss Blues Driver (BD-2)

Use as a clean boost to tighten low-end for Drop D — not required for the main tone but helps definition on palm mutes

Level 7 · Tone 5 · Gain 2
Why these settings

The Blackstar HT20R's OD2 channel with ISF pushed toward British voicing approximates the Rectifier's mid-forward saturation. Your Les Paul's hotter humbuckers vs the original PAF-style pickups mean gain drops 1 point from the Recto's 7-8 range. Treble cut 1 point because the Les Paul is already darker than the semi-hollow Trini Lopez. Presence down 1 to avoid fizz — the HT20's EL34 power section is brighter than 6L6 Rectifier tubes.

PRO TIPThe iconic 'Everlong' pick attack comes from Grohl digging in hard with downstrokes on the verse riff — let the Drop D low string breathe between hits rather than chugging continuously; the space is part of the tone.

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These settings are for a Blackstar HT20R MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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