Tone library / Fall Out Boy / Thnks Fr Th Mmrs

Thnks Fr Th Mmrs amp settings — Boss Katana 100 MkII

The Fall Out Boy guitar tone for “Thnks Fr Th Mmrs”, dialed in for a Boss Katana 100 MkII with a Yamaha Pacifica 112V. Studio version, Infinity On High (2007)

Original rig

Orange Rockerverb 100 head + PPC412 cab, Gibson Les Paul Standard (bridge humbucker), Ibanez TS9 Tube Screamer, Boss DD-5 Delay

Tight, punchy high-gain with articulate mids and controlled low-end—aggressive but clear pop-punk rhythm tone
Amp settings — Boss Katana 100 MkII
CHANNELBrownBRIGHToffBOOSTon
GAIN 7 BASS 4 MID 7 TREBLE 6 PRESENCE 5 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain7
Bass4
Mid7
Treble6
Presence5
Reverb0
Master6
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Guitar
PICKUPbridge TONE7 VOLUME10
Signal chain

01Tube Screamer (TS9 or Boss OD-3)

RECOMMENDED — not currently owned. Use Katana's built-in 'T-Scream' or 'OD-1' effect as substitute: Drive 3, Tone 6, Level 7

Drive 3 · Tone 6 · Level 7

02Boss DD-5 Digital Delay (or Katana internal delay)

Use Katana's built-in Digital Delay. Set to ~300ms, single repeat slapback for subtle depth. Mode 0 = standard digital

E.Level 3 · F.Back 2 · D.Time 4 · Mode 0
Why these settings

The Katana's Brown channel emulates a cranked British amp, closest to the Orange Rockerverb's saturated character. Your Pacifica's Alnico V humbucker is lower output than a Les Paul's PAF-style pickups, so gain stays at 7 rather than backing off. Bass is cut to 4 (vs original 6) because the Brown channel has more low-mid thickness than an Orange—this keeps palm mutes tight. Boost ON adds the front-end push that Trohman gets from his TS9.

PRO TIPPalm mute with your picking hand positioned closer to the bridge than usual—this song's rhythm tone relies on extremely tight, percussive chugs. Let the muted notes breathe slightly between hits rather than sustaining them.

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These settings are for a Boss Katana 100 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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