Tone library / Dream Theater / The Best of Times

The Best of Times amp settings — Line 6 Helix Floor

The Dream Theater guitar tone for “The Best of Times”, dialed in for a Line 6 Helix Floor with a Epiphone Les Paul Studio. Studio version, Black Clouds & Silver Linings (2009) — iconic outro solo

Original rig

Mesa Boogie Mark V (Channel 3 Mark IIC+ mode) + Music Man JP BFR (DiMarzio Crunch Lab/LiquiFire) + TC Electronic 2290 digital delay + studio reverb

Liquid, singing high-gain lead with vocal midrange, smooth top end, and long sustaining delay
Amp settings — Line 6 Helix Floor
CHANNELCali IV Lead block (Mesa Mark IV/IIC+ voicing) + 4x12 Cali V30 CabBRIGHToffBOOSToff
GAIN 7 BASS 3 MID 5 TREBLE 7 PRESENCE 4 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain7
Bass3
Mid5
Treble7
Presence4
Reverb0
Master6
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Guitar
PICKUPneck TONE9 VOLUME10
Signal chain

01Scream 808 (Helix block)

Clean boost in front of the amp block to tighten low end and focus pick attack

Gain 0 · Tone 6 · Level 8

02Simple Delay (Helix block)

Placed post-amp block; set delay time to dotted-eighth (~480ms) to replicate the TC 2290 stereo lead spread

Time 5 · Feedback 4 · Mix 3

03Glitz (Helix block)

Post-amp hall reverb providing lush studio ambience

Decay 6 · Tone 4 · Mix 3
Why these settings

The Helix Cali IV Lead block nails Petrucci's Mesa Boogie lead voice; like a real Mark series amp, keep the pre-distortion bass low (around 3) to prevent flub, using the post graphic EQ to add low-end weight. The Scream 808 block acts purely as a mid-focused clean boost to replicate the tight tracking of his signature DiMarzio pickups through the Epiphone's Alnico humbuckers. The tone knob rolled off slightly to 9 softens the neck pickup's bite into that signature glassy, liquid Petrucci sustain.

PRO TIPSwitch between neck and bridge pickups during the solo—the neck provides the singing melodic runs, while switching to the bridge pickup gives immediate cut and articulation for the fast alternate-picked arpeggio passages.

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