Tone library / Dream theater / Another day

Another day amp settings — Boss GT-100

The Dream theater guitar tone for “Another day”, dialed in for a Boss GT-100 with a Yamaha Pacifica 012. Studio version, Images and Words (1992) — Iconic clean intro / ballad chord progression

Original rig

Mesa Boogie TriAxis / Mark IIC+ Clean into 2:90 power amp, Ibanez JPM (Air Norton / Steve's Special), TC Electronic SCF Stereo Chorus, Eventide digital delay/reverb

Pristine, ultra-lush 90s progressive clean with dimensional stereo chorus and spacious digital delay
Amp settings — Boss GT-100
CHANNELBoss GT-100 Preamp block: 'Full Range' or 'JC-120' with 2x12 Mesa/Custom CabBRIGHToffBOOSToff
GAIN 2 BASS 5 MID 4 TREBLE 7 REVERB 5 MASTER 6
KnobSetting (0–10)
Gain2
Bass5
Mid4
Treble7
Reverb5
Master6
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Guitar
PICKUPneck+middle TONE9 VOLUME10
Signal chain

01GT-100 Compressor Block

Placed first in GT-100 chain for clean percussive sustain

Sustain 5 · Attack 6 · Level 5

02GT-100 Chorus Block (Stereo / 2x2)

Emulates the TC Electronic SCF / Boss Dimension chorus sparkle

Rate 4 · Depth 6 · E.Level 7

03GT-100 Digital Delay Block

Set delay time to ~420ms (FX loop routing in block order)

Feedback 4 · E.Level 4 · Time 5
Why these settings

The Yamaha Pacifica 012 ceramic single coils are brighter and thinner than Petrucci's humbuckers, so using the in-between neck+middle position delivers the signature glassy scooped chime without shrill highs. Amp gain is kept very low at 2 with treble lifted to 7 on the GT-100 clean preamp model to replicate the pristine headroom of Mesa/TriAxis clean circuitry. Digital chorus and plate/hall reverb in the GT-100 provide the deep 90s studio polish. Note that the GT-100 preamp block has no separate presence knob on this model, so presence is null. For the high-gain solo section, step on a GT-100 Lead preamp model (e.g. BG Lead) with a TS OD boost instead.

PRO TIPPick with a light, even dynamic using the flat broad side of a stiff pick over the neck-middle area to get that glassy, percussive acoustic-like attack characteristic of Petrucci's ballad intros.

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