Money for Nothing amp settings — Boss ME-90
The Dire Straits guitar tone for “Money for Nothing”, dialed in for a Boss ME-90 with a PRS Custom 24. Studio version, Brothers in Arms (1985)
1958 Gibson Les Paul Standard / Junior into Laney 2x12 combo with accidental phase-shifted mic placement and cranked British crunch
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 4 |
| Mid | 8 |
| Treble | 5 |
| Reverb | 3 |
| Master | 5 |
01Boss ME-90 FX1: T-WAH / Parked Filter
ME-90 FX1 block set to simulate the resonant half-cocked wah / out-of-phase mic filter sweep
02Boss ME-90 OD/DS: CRUNCH
Used as a tight front-end mid push into the British preamp model
03Boss ME-90 REV: ROOM
Subtle room ambience to mimic the AIR Montserrat live room
The signature hollow honk of the studio cut was caused by accidental out-of-phase microphone angles on Mark Knopflers Laney amp. On the Boss ME-90, we simulate that nasal resonance using a parked bandpass filter in FX1 alongside a boosted midrange on the Brit Stack model. The PRS Custom 24 bridge humbucker matches the output of Knopflers Les Paul, but rolling the guitars tone knob to 7 rounds off modern top-end bite to keep the mids vocal.
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