Money for Nothing amp settings — Borne F60
The Dire Straits guitar tone for “Money for Nothing”, dialed in for a Borne F60 with a Tagima Sixmart. Studio version, Brothers in Arms (1985) — the original intro riff tracking at AIR Montserrat
Gibson Les Paul Junior (bridge humbucker), Marshall JTM45 head → Laney 4×12 cab, Morley wah pedal half-cocked as a fixed mid-boost
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 3 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 7 |
01Wah Pedal (any brand — parked half-cocked)
RECOMMENDED — not currently owned. Park the wah pedal at roughly 50% (halfway between heel-down and toe-down) and leave it there. This creates a fixed mid-frequency boost around 800Hz-1kHz that gives the tone its nasal, honky bark. Without this, you lose 40% of the signature sound. A Dunlop Cry Baby GCB95 or Morley Power Wah are cheap options.
The Borne F60 is a budget solid-state practice amp with limited mid-range character compared to the original non-master-volume tube Marshall. I pushed mids to 7 (original was around 6) to compensate for the F60's flatter response and kept bass at 3 to avoid muddiness. Gain at 6 provides crunch without fizz — the original JTM45 was cranked with no master volume. Without a parked wah pedal, this tone will sound generic; the wah is essential.
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These settings are for a Borne F60. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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