Hasta que llegue la muerte amp settings — Jet City JCA22H
The Depresión sonora guitar tone for “Hasta que llegue la muerte”, dialed in for a Jet City JCA22H with a Ibanez JEM7V Steve Vai. Live performance (2022 tour version)
Fender Jaguar (single coils) into clean platform tube amp with heavy digital chorus, spring reverb, and short slapback delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 4 |
| Mid | 6 |
| Treble | 7 |
| Presence | 6 |
| Master | 4 |
02Boss DD-3 / Digital Delay
RECOMMENDED — not owned (set to 120ms slapback in FX loop)
03Electro-Harmonix Holy Grail Reverb
RECOMMENDED — not owned (Hall/Spring setting in FX loop)
The JCA22H Crunch channel is based on the Soldano high-gain architecture, so keep the Gain around 2 to prevent early breakup and stay in post-punk clean territory. The JEM's Evolution humbuckers are far hotter and thicker than Marcos Crespo's Fender Jaguar single coils; using position 4 (neck + middle split) thins out the low end to match that wiry chime. Presence on the JCA22H provides the icy 80s top-end cut without needing external boost.
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These settings are for a Jet City JCA22H. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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