Phantom Bride (feat. Jerry Cantrell) amp settings — fender squier 15
The Deftones guitar tone for “Phantom Bride (feat. Jerry Cantrell)”, dialed in for a fender squier 15 with a ibanez rx160. Studio version, Gore (2016) — Stephen Carpenter's rhythm/lead tone and Jerry Cantrell's guest solo
Stephen Carpenter: ESP 8-string baritone guitars, Mesa Boogie Dual/Triple Rectifier, 4x12 cabs with V30s. Jerry Cantrell: G&L Rampage with JB pickup, Friedman BE-100 or Marshall JCM800 modified, Dunlop Cry Baby wah, MXR EVH Phase 90. Recording used heavy layering and studio processing through Matt Hyde's production.
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 4 |
| Mid | 6 |
| Treble | 5 |
| Master | 5 |
01Boss DS-1 or similar distortion pedal
RECOMMENDED — not owned. Essential for this tone. A basic DS-1, Metal Zone, or any affordable high-gain distortion pedal is required. The Squier 15 cannot produce Rectifier-level saturation from its preamp alone.
The Fender Squier 15 is a small practice amp with minimal gain and a single 6-8 inch speaker — it cannot physically reproduce Mesa Rectifier saturation. Amp gain at 7 provides its maximum usable dirt but falls drastically short; a distortion pedal is mandatory. Mid pushed to 6 compensates for the amp's loose voicing and helps the Ibanez's humbucker cut through. Bass dropped to 4 prevents the small speaker from farting out under heavy gain.
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These settings are for a fender squier 15. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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