Tone library / Deep Purple / Smoke On the Water

Smoke On the Water amp settings — Marshall 8100

The Deep Purple guitar tone for “Smoke On the Water”, dialed in for a Marshall 8100 with a Ibanez Arc300 Les Paul. Studio version, Machine Head (1972), recorded at the Grand Hotel in Montreux, December 1971

Original rig

1968 Fender Stratocaster (maple neck, single coils) → Hornby-Skewes Treble Booster → Marshall 100W Super Lead (Major) head into 4x12 cab

Crunchy, mid-forward British grind with treble bite and tight low-end — not as saturated as modern metal, more of a pushed-clean-amp bark
Amp settings — Marshall 8100
CHANNELOD1 (lower-gain overdrive channel)BOOSToff
GAIN 5 BASS 6 MID 7 TREBLE 6 PRESENCE 5 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain5
Bass6
Mid7
Treble6
Presence5
Reverb0
Master6
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Treble Booster (e.g., TC Electronic Spark Booster, EHX LPB-1, or any clean boost with treble emphasis)

RECOMMENDED — not currently owned. Blackmore's Hornby-Skewes treble booster was essential to the recording. Without it, increase amp treble to 7 and gain to 6, but you'll lose some of the sizzle and cut.

Level 7 · Treble/Tone 8
Why these settings

Your Ibanez ARC300 has hotter humbuckers than Blackmore's single-coil Strat, so gain is dropped from what a Strat would need (original settings assume 7+ gain with single coils). The 8100's solid-state power section is tighter than a tube Marshall, so bass stays moderate at 6 to avoid flub. Mids pushed to 7 to replicate the Plexi bark Blackmore got from his cranked Major.

PRO TIPPlay the riff with parallel fourths (two notes, not power chords) using your index and ring fingers — Blackmore's original fingering. Pick aggressively right over the bridge pickup pole pieces for maximum attack and clarity.

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