Outside Of This Town (Live) amp settings — VHT D50
The Christone "Kingfish" Ingram guitar tone for “Outside Of This Town (Live)”, dialed in for a VHT D50 with a Epiphone Les Paul Standard 50s. Live in London (2023), recorded at The Garage
Fender Kingfish Telecaster Deluxe / Custom Starcaster + Marshall / Peavey Classic 50 / Fender Super Reverb + Way Huge Overrated Special / Dunlop Cry Baby Wah
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Master | 4 |
01Jim Dunlop Cry Baby GCB95
Used actively during dynamic solo sections
02Boss ME-70 (OD/DS Section: T-Scream)
Clean mid-boost into the D50's overdrive channel to add sustain and vocal cut
03Boss ME-70 (Delay Section: Analog Delay)
Subtle slap/ambient space for live feel
04Boss ME-70 (Reverb Section: Room)
Provides room ambience since the D50 lacks onboard reverb
The VHT D50's Dumble-style Overdrive channel provides the smooth, thick harmonic saturation Kingfish relies on. Pushing the preamp mid control to 7 and engaging the Preamp Boost matches his massive low-mid punch, while the ME-70's T-Scream acts as a front-end mid tighten. The Epiphone Les Paul neck humbucker yields Kingfish's signature vocal flutey sustain—roll the guitar tone back slightly to 8 to round off harsh top-end bite.
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