Wicked Game amp settings — Marshall MG30CFX
The Chris Isaak guitar tone for “Wicked Game”, dialed in for a Marshall MG30CFX with a Squier Affinity Stratocaster. Studio version, Heart Shaped World (1989)
1962 Fender Stratocaster Reissue (neck pickup) into 1964 Fender Deluxe / Silverface Twin Reverb, Roland SDE-3000 delay, TC Electronic 2290 pre-delay, and Eventide H3000 Rich Chorus
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 4 |
| Treble | 7 |
| Reverb | 7 |
| Master | 5 |
01Built-in Delay (Marshall MG30CFX FX Section)
Set built-in FX knob to Delay at low mix; tap around 350-400ms
02Digital Delay (e.g. Boss DD-3 or DD-8)
RECOMMENDED — not currently owned; essential for the signature quarter-note trailing echo
The Marshall MG30CFX lacks a presence control and has a naturally punchier midrange than a vintage Fender tube amp, so mids are pulled back to 4 while treble is lifted to 7 to recreate the Blackface scoop and glass. The amp must stay on the pure 'Clean' green channel with gain low to avoid solid-state clipping. The MG30CFX spring reverb emulation is turned up high to provide the deep, cavernous wash heard on the studio mix.
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These settings are for a Marshall MG30CFX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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