Wicked Game amp settings — Harley benton HB-40R
The Chris Isaak guitar tone for “Wicked Game”, dialed in for a Harley benton HB-40R with a Harley benton ST-20HSS SBK Standard Series. Studio version, Heart Shaped World (1989), James Calvin Wilsey lead guitar
1962 Fender Stratocaster Reissue (neck pickup) into 1964 Fender Deluxe / Silverface Twin Reverb, Roland SDE-3000 delay, TC Electronic 2290, Eventide H3000
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 4 |
| Treble | 7 |
| Reverb | 8 |
| Master | 5 |
01Analog Delay / Tape Echo (e.g. Boss DM-2W or Carbon Copy)
RECOMMENDED — not currently owned; set for a ~350-400ms ambient repeat
02Chorus / Pitch Modulation (e.g. Boss CE-2W or Eventide-style chorus)
RECOMMENDED — not currently owned; adds the lush, slow detune movement of the original studio track
The HB-40R is kept on its clean channel with gain low to mimic the massive clean headroom of Wilsey's Fender Twin Reverb. The mids are pulled down slightly to replicate classic Fender mid-scoop, while treble is pushed up to 7 to deliver the glassy single-coil cut through the HB-40R's darker 10-inch custom speaker. Crank the onboard spring reverb to 8 to carry the cavernous surf-noir ambience until you add outboard delay and chorus pedals.
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These settings are for a Harley benton HB-40R. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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