Tone library / Cannibal corpse / Hammer smashed faces

Hammer smashed faces amp settings — Marshall MG 100DFX

The Cannibal corpse guitar tone for “Hammer smashed faces”, dialed in for a Marshall MG 100DFX with a Harley Benton R-466. Studio version, Tomb of the Mutilated (1992) — Eb standard tuning

Original rig

ESP/BC Rich with EMG 81 pickups → Boss MT-2 Metal Zone (as boost/EQ) → Mesa Boogie Dual Rectifier, 4x12 with V30s

Scooped, crushing death metal — maxed gain, tight bass, cutting highs, hollowed mids
Amp settings — Marshall MG 100DFX
CHANNELFDD (highest gain channel)
GAIN 10 BASS 7 MID 3 TREBLE 8 PRESENCE 6 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain10
Bass7
Mid3
Treble8
Presence6
Reverb0
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Boss MT-2 Metal Zone

RECOMMENDED — not currently owned. Used as a clean boost/EQ shaper, NOT for distortion. Dist at 0, Level maxed. This is how Cannibal Corpse runs it — the amp provides the gain, the MT-2 tightens the signal and adds high-end cut. Without this pedal, you lose significant tightness and scoop character.

Level 10 · High 7 · Low 5 · Mid 3 · Mid Freq 5 · Dist 0
Why these settings

Your MG100DFX's FDD channel is a solid state high-gain voice, not a Rectifier's tube sag — it will be tighter and more sterile. The Harley Benton R-466 has passive humbuckers with lower output than EMG 81s, so gain stays maxed. Mids scooped to 3 replicates the Rectifier's classic death metal hollow midrange. Without an MT-2 or similar boost pedal, you will lack the surgical tightness CC gets — consider a used MT-2 (~$50) or Behringer HM300 clone (~$25).

PRO TIPPalm mute HARD and directly over the bridge saddles — death metal tightness comes from aggressive right-hand technique as much as gear. Pick with the thick part of the pick angled slightly for more attack and less string flap.

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These settings are for a Marshall MG 100DFX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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