Hammer smashed faces amp settings — Marshall MG 100DFX
The Cannibal corpse guitar tone for “Hammer smashed faces”, dialed in for a Marshall MG 100DFX with a Harley Benton R-466. Studio version, Tomb of the Mutilated (1992) — Eb standard tuning
ESP/BC Rich with EMG 81 pickups → Boss MT-2 Metal Zone (as boost/EQ) → Mesa Boogie Dual Rectifier, 4x12 with V30s
| Knob | Setting (0–10) |
|---|---|
| Gain | 10 |
| Bass | 7 |
| Mid | 3 |
| Treble | 8 |
| Presence | 6 |
| Reverb | 0 |
| Master | 5 |
01Boss MT-2 Metal Zone
RECOMMENDED — not currently owned. Used as a clean boost/EQ shaper, NOT for distortion. Dist at 0, Level maxed. This is how Cannibal Corpse runs it — the amp provides the gain, the MT-2 tightens the signal and adds high-end cut. Without this pedal, you lose significant tightness and scoop character.
Your MG100DFX's FDD channel is a solid state high-gain voice, not a Rectifier's tube sag — it will be tighter and more sterile. The Harley Benton R-466 has passive humbuckers with lower output than EMG 81s, so gain stays maxed. Mids scooped to 3 replicates the Rectifier's classic death metal hollow midrange. Without an MT-2 or similar boost pedal, you will lack the surgical tightness CC gets — consider a used MT-2 (~$50) or Behringer HM300 clone (~$25).
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These settings are for a Marshall MG 100DFX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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