Come a Little Closer amp settings — line 8 i
The Cage the Elephant guitar tone for “Come a Little Closer”, dialed in for a line 8 i with a Ibanez RG550. Studio version, Melophobia (2013) — produced by Jay Joyce
Fender Mustang with lipstick-style single-coils → console/preamp direct (no traditional amp), Big Muff Pi for fuzz sections, Boss DD-7 delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 6 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 3 |
| Master | 7 |
01Big Muff Pi (modeled block) — RECOMMENDED
RECOMMENDED — not currently owned. Use the Line 6 built-in Big Muff or 'Triangle Fuzz' model. Tone at 4 prevents fizzy top-end; this is your primary gain source for the main riff
02Digital Delay (modeled block) — RECOMMENDED
RECOMMENDED — use Line 6 built-in delay block. Set ~350-400ms dotted-eighth feel for the atmospheric wash
Your Ibanez RG550's hot humbuckers are significantly darker and higher-output than Shultz's thin Mustang single-coils. I raised mid +2 vs typical settings to compensate for the humbucker's scooped character, and rolled your tone knob to 7 to tame the RG's aggressive high-end. Amp gain stays at 2 because all dirt comes from the fuzz block — stacking amp gain would create undefined mud.
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These settings are for a line 8 i. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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