Tone library / Blur / Song 2

Song 2 amp settings — Ashdown Mag 300

The Blur guitar tone for “Song 2”, dialed in for a Ashdown Mag 300 with a Squier Classic Vibe 60s Jazz Bass. Studio cut, Blur (1997) - Distorted Chorus Hook

Original rig

Ernie Ball Music Man StingRay Bass into Marshall ShredMaster distortion, tracked direct and through Ampeg SVT-II head (double-tracked)

Aggressive, heavy fuzz-distortion bass wall with thick low-end and sharp pick attack
Amp settings — Ashdown Mag 300
CHANNELStandard Input (Sub-Harmonics off)BRIGHToff
GAIN 3 BASS 8 MID 6 TREBLE 4 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain3
Bass8
Mid6
Treble4
Reverb0
Master5
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Guitar
PICKUPbridge+middle TONE8 VOLUME10
Signal chain

01Boss DS-1

Main chorus fuzz/distortion source (run direct into amp input)

Tone 3 · Level 7 · Dist 8
Why these settings

The studio hook relies on double-tracked bass through high-gain distortion carrying the chorus weight. Because you own the Boss DS-1, it serves as your primary distortion unit, so the Ashdown Mag 300 input gain is kept low at 3 to prevent muddy double-clipping. The DS-1 Tone is pulled down to 3 to prevent low-end loss and harsh fizz, while the Ashdown Bass is pushed to 8 and Middle to 6 (Middle 500Hz band at noon, Lo-Mid slightly boosted) to emulate the Ampeg SVT punch. Clean verse: step on the DS-1 to bypass it.

PRO TIPPlay with a heavy 1.0mm+ pick right between the neck and bridge pickup, digging in hard on the downstrokes to reproduce Alex James's percussive attack.

Get this tone on your amp

These settings are for a Ashdown Mag 300. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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