Paranoid amp settings — Line 6 Helix Floor
The Black Sabbath guitar tone for “Paranoid”, dialed in for a Line 6 Helix Floor with a Fender Jimi Hendrix Stratocaster. Studio album version, Paranoid (1970) - main rhythm track
Gibson SG Special (P-90s) into modified Dallas Rangemaster Treble Booster into Laney LA100BL Supergroup head & Laney 4x12 cab
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 2 |
| Mid | 9 |
| Treble | 8 |
| Presence | 8 |
| Reverb | 0 |
| Master | 10 |
01Helix Block: Treble Booster (Dallas Rangemaster model: 'Dhyana Drive' or 'Deranged Master')
Placed first in chain into clean normal channel per double-gain prevention rule
Iommi ran a modified Dallas Rangemaster slammed into the Normal channel of a Laney Supergroup with the amp bass cut completely and mids/treble pushed high. Because your Hendrix Stratocaster has brighter, thinner single-coils than Iommi's P-90 SG, keep the Strat's bridge tone rolled slightly back to 8, add a touch of low-end (bass 2) to compensate for the single-coil low-end deficiency, and let the Treble Booster block generate the signature grainy saturation over the clean amp model.
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