Into the Void amp settings — Marshall Studio Vintage SV20H
The Black Sabbath guitar tone for “Into the Void”, dialed in for a Marshall Studio Vintage SV20H with a Epiphone Les Paul Standard 60s. Studio version, Master of Reality (1971) - signature intro/main riff
1965 Gibson SG Special 'Monkey' (P90s, tuned C# standard: C#-F#-B-E-G#-C#) into a modified Dallas Arbiter Rangemaster treble booster (customized by John Birch) into cranked 100W Laney Supergroup heads and 4x12 cabs
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 3 |
| Mid | 8 |
| Treble | 7 |
| Presence | 6 |
01Ibanez TS Mini
Used as a mid-focused treble/tightening boost pushing the Marshall into Laney/Rangemaster saturation
02Boss RE-20 Space Echo
Bypassed — record riff is totally dry
03EHX Big Muff Pi
Bypassed — Iommi used a modified Rangemaster rather than Big Muff fuzz; the TS Mini boost into the cranked SV20H matches the clip structure authentically
The SV20H Plexi circuit shares the British EL34 architecture with Iommi's Laney Supergroup, but the original was tuned down to C# standard where an untightened Plexi bass control will turn to flub. Running the TS Mini with low Overdrive and high Level/Tone replicates Iommi's modified Rangemaster frequency clamp, keeping the front-end punchy. Bass on the Marshall is kept low at 3 while mids and high treble are pushed to recreate Tony's forward roar without low-end sag.
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These settings are for a Marshall Studio Vintage SV20H. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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