Into the Void amp settings — Fender Mustang LT25
The Black Sabbath guitar tone for “Into the Void”, dialed in for a Fender Mustang LT25 with a Epiphone SG Standard. Studio version, Master of Reality (1971)
1965 Gibson SG Special with P90s → Laney Supergroup/Klipp 100W → Rangemaster-style treble booster for cutting through. Guitar tuned to C# standard.
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 7 |
| Mid | 6 |
| Treble | 4 |
| Presence | 4 |
| Reverb | 0 |
| Master | 6 |
01Built-in Overdrive (Mustang LT25 onboard)
Use the amp's built-in overdrive effect to simulate the treble booster push Iommi used. This adds the cutting attack without fizzy highs.
Your Epiphone SG with humbuckers is hotter than Iommi's P90-loaded '65 SG, so treble drops from 6 to 4 and gain stays moderate to avoid mud. The Mustang's British 80s model has more compression than a real Laney Supergroup, so mid is pulled back slightly to prevent honk. Rolling the tone knob to 5 replicates the dark, woolly character Iommi got from his guitar's tone control.
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These settings are for a Fender Mustang LT25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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