Into the Void amp settings — Boss Katana 100 MkII
The Black Sabbath guitar tone for “Into the Void”, dialed in for a Boss Katana 100 MkII with a Epiphone Les Paul Studio. Studio version, Master of Reality (1971) - main distorted riff
1964 Gibson SG Special ('Monkey' with custom John Birch P90-style pickups) -> Dallas Rangemaster Treble Booster (custom modified) -> Laney LA100BL Supergroup 100W Head -> Laney 4x12 cabs with Celestion speakers
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 8 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 0 |
| Master | 5 |
01Boss DS-1
Used as a dirty mid/treble boost pushing the Katana Crunch model (simulating a Rangemaster treble booster)
The Katana 100 MkII Crunch model emulates non-master-volume British tube saturation like Iommi's Laney Supergroup. Because Iommi pushed his amp with a treble booster, your Boss DS-1 acts as a boost (Dist low at 2, Level hot, Tone pushed) into the driven Crunch channel. Tune down three half-steps to C# Standard (C#-F#-B-E-G#-C#) to match the record's low-end sludginess and loose string resonance.
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These settings are for a Boss Katana 100 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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