Tone library / Avenged Sevenfold / Unholy Confessions

Unholy Confessions amp settings — Acoustic G20

The Avenged Sevenfold guitar tone for “Unholy Confessions”, dialed in for a Acoustic G20 with a Jackson JS22- 7 RR HT. Studio version, Waking the Fallen (2003)

Original rig

Gibson Les Paul Custom (bridge humbucker) → MXR MC401 Boost → Bogner Uberschall 120W head

Tight, percussive palm mutes with aggressive pick attack, scooped mids, high-gain saturation, articulate note separation for fast galloping riffs
Amp settings — Acoustic G20
GAIN 8 BASS 5 TREBLE 7 MASTER 4
KnobSetting (0–10)
Gain8
Bass5
Treble7
Master4
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Boss MT-2 Metal Zone or similar high-gain distortion

RECOMMENDED — not currently owned. The Acoustic G20 cannot produce Uberschall-level gain on its own. A dedicated metal distortion pedal is essential for this tone. Budget options: Boss MT-2, TC Electronic Dark Matter, Joyo US Dream.

Level 6 · High 7 · Low 4 · Mid Freq 4 · Mid 3 · Dist 8
Why these settings

The Acoustic G20 is a 20W solid-state practice amp with bass/treble-only EQ and limited gain—it cannot replicate Uberschall saturation without an external distortion pedal. I've set the amp's gain near max to add body, bass at 5 (not higher—keeps palm mutes tight), and treble at 7 for pick attack clarity. The recommended pedal becomes the primary gain source; run it into the amp set relatively clean if you acquire one.

PRO TIPThe galloping riff in 'Unholy Confessions' lives or dies on palm-mute consistency—anchor your picking hand firmly and use downstrokes on the chugs, keeping the motion tight and percussive. Your Jackson's humbuckers are hotter than Gates' Les Paul, so you'll get adequate output, but without a proper distortion pedal, this tone will remain out of reach on the G20.

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These settings are for a Acoustic G20. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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