M.I.A. amp settings — Mooer GE200
The Avenged Sevenfold guitar tone for “M.I.A.”, dialed in for a Mooer GE200 with a Strandberg Boden Standard. Studio recording, City of Evil (2005) — iconic solo section starting at 4:35
Schecter C-1 FR 'City of Evil' with Seymour Duncan Invader (bridge) → MXR MC401 Boost → Bogner Uberschall 120W head
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 4 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 1 |
01GE200 Internal Boost Block (TS-style or Clean Boost)
Place before amp block to tighten low end and add pick attack — mimics the MXR MC401 boost Gates used
02GE200 Internal Delay Block (Digital)
Post-amp block — subtle slapback to add dimension without washing out fast runs
The Strandberg's Fishman-style or passive humbuckers have tighter low-end and more clarity than Gates' ceramic Invaders, so bass stays at 5 rather than the Uberschall's typical 5.5. Gain dropped to 7 from the original's ~8 because the GE200's high-gain models saturate faster than a real Uberschall. Mid at 4 maintains the slight scoop Gates uses for note separation on fast legato runs.
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