Dear God amp settings — Fender Blues Junior IV
The Avenged Sevenfold guitar tone for “Dear God”, dialed in for a Fender Blues Junior IV with a Fender American Professional II Stratocaster. Studio version, Avenged Sevenfold (2007) - Outro solo lead
Schecter Synyster Custom (Seymour Duncan Invader bridge) into Marshall JVM205H with Visual Sound H2O delay/chorus
| Knob | Setting (0–10) |
|---|---|
| Gain | 9 |
| Bass | 6 |
| Mid | 8 |
| Treble | 5 |
| Reverb | 4 |
| Master | 4 |
01Overdrive (Ibanez TS9 / Fulltone OCD style)
RECOMMENDED — not currently owned; needed to push the Blues Jr into singing Marshall-style modern lead sustain
02Analog/Digital Delay (Boss DD-3 or MXR Carbon Copy)
RECOMMENDED — not currently owned; set to roughly 420ms quarter-note repeats direct into amp input
The Blues Junior IV lacks a dedicated high-gain lead channel, so the 'FAT' boost switch must be engaged with Volume (preamp gain) cranked to 9 to maximize tube saturation. To compensate for a naturally bright Strat bridge single-coil compared to Synyster's ultra-hot Seymour Duncan Invader humbucker, the amp's mids are pushed to 8 while the guitar's bridge tone knob is rolled back to 7. A dedicated overdrive pedal is recommended as an upgrade to add the tight compression and endless sustain heard on the recording.
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These settings are for a Fender Blues Junior IV. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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