Tone library / Avenged Sevenfold / Dear God

Dear God amp settings — Fender Blues Junior IV

The Avenged Sevenfold guitar tone for “Dear God”, dialed in for a Fender Blues Junior IV with a Fender American Professional II Stratocaster. Studio version, Avenged Sevenfold (2007) - Outro solo lead

Original rig

Schecter Synyster Custom (Seymour Duncan Invader bridge) into Marshall JVM205H with Visual Sound H2O delay/chorus

Smooth, singing high-gain lead tone with rich mid warmth, liquid sustain, and ambient delay
Amp settings — Fender Blues Junior IV
BOOSTon
GAIN 9 BASS 6 MID 8 TREBLE 5 REVERB 4 MASTER 4
KnobSetting (0–10)
Gain9
Bass6
Mid8
Treble5
Reverb4
Master4
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Guitar
PICKUPbridge TONE7 VOLUME10
Signal chain

01Overdrive (Ibanez TS9 / Fulltone OCD style)

RECOMMENDED — not currently owned; needed to push the Blues Jr into singing Marshall-style modern lead sustain

Drive 7 · Tone 5 · Level 7

02Analog/Digital Delay (Boss DD-3 or MXR Carbon Copy)

RECOMMENDED — not currently owned; set to roughly 420ms quarter-note repeats direct into amp input

Time 5 · Feedback 4 · Level 4
Why these settings

The Blues Junior IV lacks a dedicated high-gain lead channel, so the 'FAT' boost switch must be engaged with Volume (preamp gain) cranked to 9 to maximize tube saturation. To compensate for a naturally bright Strat bridge single-coil compared to Synyster's ultra-hot Seymour Duncan Invader humbucker, the amp's mids are pushed to 8 while the guitar's bridge tone knob is rolled back to 7. A dedicated overdrive pedal is recommended as an upgrade to add the tight compression and endless sustain heard on the recording.

PRO TIPSynyster uses a distinct wide, fast classical vibrato executed from the wrist rather than the arm; dig in with the edge of a heavy 1.5mm+ pick to replicate the sharp harmonic chirp on his sustained bend releases.

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These settings are for a Fender Blues Junior IV. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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