Tone library / Avenged Sevenfold / Almost Easy

Almost Easy amp settings — Fender Mustang LT25

The Avenged Sevenfold guitar tone for “Almost Easy”, dialed in for a Fender Mustang LT25 with a Epiphone SG Tribute. Studio version, Avenged Sevenfold self-titled album (2007), mixed by Chris Lord-Alge at Resonate Studio

Original rig

Bogner Uberschall + Mesa Triple Rectifier dual amp rig, Mesa 4x12 cabs, Schecter guitars with Seymour Duncan Invader/JB pickups, heavy compression in mix (LA-2A)

Tight, heavily compressed modern metal with scooped mids, aggressive pick attack, and crushing low-end chunk
Amp settings — Fender Mustang LT25
CHANNELMetal 2000 model (highest gain voicing available)
GAIN 8 BASS 6 MID 4 TREBLE 7 PRESENCE 0 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain8
Bass6
Mid4
Treble7
Presence0
Reverb0
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Noise Gate (built-in or RECOMMENDED — Boss NS-2)

RECOMMENDED — not currently owned. Essential for this tone to kill hum between palm mutes. Use the Mustang's built-in noise gate if available in the editing software.

Threshold 6 · Decay 3
Why these settings

The Mustang LT25's Metal 2000 model is the closest voicing to the Rectifier/Uberschall stack. Your Epiphone SG with humbuckers approximates the Schecter output well, so no gain compensation needed. Mids are scooped to 4 (vs typical 5-6) because the original is intentionally mid-cut for that modern metal chunk. The Fender modeling platform runs brighter than a real Rectifier, so treble stays at 7 rather than pushing higher. Presence at 0 prevents fizz.

PRO TIPPalm mute directly over the bridge pickup for maximum tightness — the original tracking used extremely precise downpicking with the pick angled slightly toward the neck to fatten the attack without losing definition.

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These settings are for a Fender Mustang LT25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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