Afterlife amp settings — Peavey Studio pro 112
The Avenged Sevenfold guitar tone for “Afterlife”, dialed in for a Peavey Studio pro 112 with a Eart Standard telecaster. Studio version, Avenged Sevenfold self-titled (2007) - main high-gain rhythm tone
Bogner Uberschall & Marshall JVM blend, Schecter Synyster Gates Custom (Seymour Duncan Invader humbuckers)
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 6 |
| Treble | 7 |
| Reverb | 1 |
| Master | 4 |
01Tube Screamer (TS9)
RECOMMENDED — not currently owned (leave owned Big Muff bypassed as fuzz is too loose for modern metal rhythm)
The Peavey Studio Pro 112 Lead channel running TransTube technology provides the tight, modern crunch needed here, so leave the Big Muff bypassed since fuzz muds up fast metal downpicking. To compensate for single-coil Telecaster pickups vs Synyster Gates' ultra-hot Seymour Duncan Invaders, roll your guitar tone back slightly to tame high-end twang and boost the amp's mid and bass controls. Adding an overdrive pedal like a TS9 as a clean boost later will tighten the amp's low-end tracking even further.
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These settings are for a Peavey Studio pro 112. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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