Thunderstruck amp settings — Marshall JCM900
The AC/DC guitar tone for “Thunderstruck”, dialed in for a Marshall JCM900 with a Fender American Professional II Stratocaster. Studio version, The Razors Edge (1990)
Angus: Gibson SG Standard → Marshall 1959 Super Lead 100W. Malcolm: 1963 Gretsch Jet Firebird → 1971 Marshall JMP Super Bass 1992 head. No pedals — pure power-amp saturation.
| Knob | Setting (0–10) |
|---|---|
| Gain | 5 |
| Bass | 4 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 1 |
| Master | 6 |
Your JCM900 has more preamp gain than the original Plexi/Super Lead — keep gain at 5 to avoid fizz and let the power section work. The Strat's single-coil bridge is brighter and lower-output than Angus's SG humbuckers, so mid is pushed +1 to 7 for body, treble pulled -1 to 6, and presence dropped to 5 to tame the Strat's ice-pick frequencies. Bass at 4 keeps low-end tight as AC/DC always did.
Get this tone on your amp
These settings are for a Marshall JCM900. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.