Tone library / AC/DC / Thunderstruck

Thunderstruck amp settings — Marshall JCM900

The AC/DC guitar tone for “Thunderstruck”, dialed in for a Marshall JCM900 with a Fender American Professional II Stratocaster. Studio version, The Razors Edge (1990)

Original rig

Angus: Gibson SG Standard → Marshall 1959 Super Lead 100W. Malcolm: 1963 Gretsch Jet Firebird → 1971 Marshall JMP Super Bass 1992 head. No pedals — pure power-amp saturation.

Bright, articulate crunch with aggressive upper-mids and controlled low-end; clean attack on the tapped intro, full saturation on rhythm/solo sections
Amp settings — Marshall JCM900
CHANNELLead channel (High Gain input)BRIGHToffBOOSToff
GAIN 5 BASS 4 MID 7 TREBLE 6 PRESENCE 5 REVERB 1 MASTER 6
KnobSetting (0–10)
Gain5
Bass4
Mid7
Treble6
Presence5
Reverb1
Master6
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Guitar
PICKUPbridge TONE8 VOLUME10
Why these settings

Your JCM900 has more preamp gain than the original Plexi/Super Lead — keep gain at 5 to avoid fizz and let the power section work. The Strat's single-coil bridge is brighter and lower-output than Angus's SG humbuckers, so mid is pushed +1 to 7 for body, treble pulled -1 to 6, and presence dropped to 5 to tame the Strat's ice-pick frequencies. Bass at 4 keeps low-end tight as AC/DC always did.

PRO TIPFor the famous tapped intro, use a lighter pick attack and let the notes ring cleanly — the tone is the same, but Angus backs off his pick hand to keep each tapped note articulate. Roll your Strat's tone knob to 6-7 for just that section to round off the single-coil spike.

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These settings are for a Marshall JCM900. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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