Tone library / AC/DC / Bad Boy Boogie

Bad Boy Boogie amp settings — Marshall JCM900

The AC/DC guitar tone for “Bad Boy Boogie”, dialed in for a Marshall JCM900 with a Gibson SG Standard 61. Studio version, Let There Be Rock (1977) — Australian Albert Productions edition

Original rig

1967-68 Gibson SG → Schaffer-Vega Diversity wireless system → 1959 Marshall Super Lead Plexi (full blast) → 4x12 cabs

Raw, mid-forward crunch with natural power tube compression and singing sustain
Amp settings — Marshall JCM900
BRIGHToffBOOSToff
GAIN 7 BASS 6 MID 7 TREBLE 7 PRESENCE 6 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain7
Bass6
Mid7
Treble7
Presence6
Reverb0
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Why these settings

JCM900 has more preamp gain than a Plexi, so gain is set to 7 instead of diming it (Angus relied on power amp saturation from a cranked non-master-volume head). Mids stay high because both amps are mid-forward Marshalls. The Schaffer-Vega's boost effect is approximated by running the JCM900's preamp into moderate power amp drive — keep master volume at 6 to avoid excessive stage volume while maintaining compression.

PRO TIPAngus plays with extremely light strings (008-038 gauge) and a paper-thin pick — this reduces string tension and increases harmonics, making even moderate gain sing with violin-like sustain. If your SG feels stiff, try dropping to 009s.

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These settings are for a Marshall JCM900. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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