Time Left amp settings — Fender Rumble 40
The ZUTOMAYO guitar tone for “Time Left”, dialed in for a Fender Rumble 40 with a Cort Action dlx plus. Studio version, 残機 (Time Left) from CLEANING LABO (2022)
Likely a modern active J-bass or similar with rounds, DI-blended with light amp coloration; compressed, EQ'd for mix clarity—specific gear unverified due to artist anonymity
| Knob | Setting (0–10) |
|---|---|
| Gain | 4 |
| Bass | 5 |
| Mid | 6 |
| Treble | 5 |
| Master | 5 |
01Zoom B1X Four - Compressor (M Comp or Dual Comp)
Essential for the even, controlled dynamics in the track; keeps notes consistent in the busy mix
02Zoom B1X Four - EQ (ParaEQ or 6BandEQ)
Slight scoop at 400Hz clears mud, boost at 800Hz adds presence to cut through synths
The Rumble 40 is voiced clean and slightly scooped modern, which suits this tone well. Mid pushed to 6 compensates for the Rumble's natural mid-scoop and helps the bass cut through ZUTOMAYO's dense synth arrangements. The Cort Action DLX Plus has active J-style pickups—blend both pickups favoring bridge slightly for that defined, burpy character heard on the track. Gain stays moderate since the original is clean DI-style, not overdriven.
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These settings are for a Fender Rumble 40. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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