Tone library / Yugopolis & Maciej Maleńczuk / Ostatnia nocka

Ostatnia nocka amp settings — Boss Katana 100 MkII

The Yugopolis & Maciej Maleńczuk guitar tone for “Ostatnia nocka”, dialed in for a Boss Katana 100 MkII with a Harley Benton ST-20HSS SBK. Studio version, Yugopolis (2011), remastered 2014 on 'The Best Of Yugopolis'

Original rig

Likely a tube combo or head (Marshall-style or European equivalent such as Laney/Hughes & Kettner), semi-hollow or solid body guitar with humbuckers — exact verified gear unavailable for this Polish production

Warm, mid-forward crunch with vintage compression and slight grit — not heavy, more 'pub rock' drive with clean note articulation
Amp settings — Boss Katana 100 MkII
CHANNELCrunch amp typeBRIGHToffBOOSToff
GAIN 4 BASS 5 MID 7 TREBLE 5 PRESENCE 4 REVERB 2 MASTER 6
KnobSetting (0–10)
Gain4
Bass5
Mid7
Treble5
Presence4
Reverb2
Master6
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Guitar
PICKUPneck TONE7 VOLUME10
Why these settings

Your Katana's Crunch channel approximates the Marshall-esque warmth of this recording. The HSS Harley Benton's humbucker in the neck position delivers the warm, rounded tone heard on the track — single coils would be too bright and thin for this style. Mid pushed to 7 compensates for the Katana's tendency toward a slightly scooped modern voicing versus vintage European tube amps. Gain stays moderate at 4 because this tone breathes and cleans up with pick dynamics.

PRO TIPRoll your guitar volume knob back to 7-8 during verses for a cleaner, more dynamic response, then dig in with full volume on the chorus — this track lives on that push-pull dynamic, not static distortion.

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