Forty Six & 2 amp settings — Headrush FRFR 112
The TOOL guitar tone for “Forty Six & 2”, dialed in for a Headrush FRFR 112 with a PRS Mark Holcomb. Studio version, Ænima (1996)
1979 Gibson Les Paul Custom (Seymour Duncan JB bridge) → Mesa/Boogie Dual Rectifier (Modern High Gain channel) + Diezel VH4 → 4x12 Recto cab with V30s. DOD FX40B EQ pedal for low-end boost, Boss DD-5 delay for ambient sections.
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 4 |
| Treble | 6 |
| Presence | 3 |
| Reverb | 0 |
| Master | 5 |
01Parametric EQ block (post-amp)
Replicates Jones' DOD FX40B smiley-face EQ — boost lows, slight mid scoop, lift highs for clarity
02Noise Gate block (pre-amp)
Tightens palm mutes and kills noise between riffs — essential for this tone's precision
03Digital Delay block (post-amp)
Subtle slapback for depth — 400-450ms, low in mix. Only engage on ambient/verse sections, off for main riff.
Your PRS Mark Holcomb has Seymour Duncan Alpha/Omega pickups — hotter and tighter than Jones' passive JB. Drop gain from the original's 7.5 to 7; your pickups push harder. The Holcomb's voicing is more modern and scooped than a '79 Les Paul, so raise mid from 3 to 4 to restore some of that mahogany bark. Presence stays low at 3 — Rectifier models get fizzy fast on FRFR.
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These settings are for a Headrush FRFR 112. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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