Tone library / The seahorses / Love is the law

Love is the law amp settings — Logic pro 12.0 Plugins

The The seahorses guitar tone for “Love is the law”, dialed in for a Logic pro 12.0 Plugins with a Squier Affinity Telecaster. Studio version, Do It Yourself (1997)

Original rig

Marshall JCM900 SL-X 100W head, Lindert Locomotive with humbuckers (video) / Fender '52 Telecaster replica, Dallas-Arbiter Fuzz Face for leads

Crunchy British rock rhythm with Zeppelin-esque grit, singing lead sustain on solos
Amp settings — Logic pro 12.0 Plugins
CHANNELMarshall JCM900 model (Amp Designer) or 'British Stack' (Pedalboard/legacy)BRIGHToffBOOSToff
GAIN 6 BASS 5 MID 7 TREBLE 6 PRESENCE 5 REVERB 1 MASTER 7
KnobSetting (0–10)
Gain6
Bass5
Mid7
Treble6
Presence5
Reverb1
Master7
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Guitar
PICKUPbridge TONE7 VOLUME10
Signal chain

01Pedalboard Fuzz (Vintage Fuzz or Fuzz Machine plugin)

Enable only for lead sections and solos — bypass for rhythm. Squire used a silicon Fuzz Face stacked into amp gain for singing sustain.

Fuzz/Sustain 7 · Tone 6 · Level 6
Why these settings

Your Squier Tele's single coils are brighter and lower output than Squire's humbucker-loaded Lindert. Push mid +1 from a stock JCM900 starting point and roll tone knob to 7 to tame ice-pick highs. The Amp Designer 'British Stack' or dedicated JCM900 model delivers the SL-X's raw preamp distortion; keep gain moderate (6) since Logic's models saturate faster than the real tube amp.

PRO TIPFor the main riff, dig in with downstrokes near the bridge for that Led Zep-influenced chunk Squire channels here — the attack transient is half the tone. On solos, engage fuzz and roll guitar volume to 7-8 for violin-like sustain that cleans up dynamically.

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These settings are for a Logic pro 12.0 Plugins. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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