Every breath you take amp settings — Roland DAC-150
The The police guitar tone for “Every breath you take”, dialed in for a Roland DAC-150 with a Squier Affinity Stratocaster. Studio cut, Synchronicity (1983) - iconic palm-muted arpeggiated clean rhythm
Roland JC-120 (built-in stereo chorus active) + 1961/1963 modified Fender Telecaster / Stratocaster + MXR Dyna Comp
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 5 |
| Treble | 7 |
| Reverb | 3 |
| Master | 5 |
01Boss CE-2 Chorus (or Boss CH-1)
RECOMMENDED — not currently owned; essential for the signature Andy Summers stereo chorus tone
02MXR Dyna Comp
RECOMMENDED — not currently owned; adds percussive snap to the palm-muted arpeggios
The Roland DAC-150 shares the crystalline solid-state preamp voicing of Andy Summers' original Roland JC-120, so keep it completely clean on low gain. Leave your DS-1 distortion fully bypassed as this track uses zero dirt. If using the DAC-150's onboard digital chorus/effects, dial in a slow rate with medium depth to replicate the JC-120 dimensional chorus.
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These settings are for a Roland DAC-150. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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