Tone library / The beatles / Something

Something amp settings — Positive Grid Spark 40

The The beatles guitar tone for “Something”, dialed in for a Positive Grid Spark 40 with a Harley benton 335 335. Studio version, Abbey Road (1969) - Lead Solo

Original rig

1957 Gibson Les Paul ('Lucy') into a Fender Twin Reverb/Bassman routed through a Leslie 122 rotating speaker cabinet

Warm, singing vintage edge-of-breakup lead with lush rotary Leslie modulation and rounded treble
Amp settings — Positive Grid Spark 40
CHANNELBlack Duo (Fender Twin Reverb model)BRIGHToffBOOSToff
GAIN 5 BASS 5 MID 6 TREBLE 5 REVERB 3 MASTER 7
KnobSetting (0–10)
Gain5
Bass5
Mid6
Treble5
Reverb3
Master7
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Guitar
PICKUPneck TONE7 VOLUME9
Signal chain

01Compressor (LA Comp block)

Provides sustained, singing note decay without modern high-gain fuzz

Comp 6 · Gain 6

02Overdrive (Vintage OD block)

Mild push into the amp to replicate the natural edge-of-breakup saturation

Drive 3 · Tone 4 · Level 7

03Modulation (Vibrato / Rotary block)

Essential for replicating the Abbey Road Leslie 122 rotating speaker swirl

Speed 4 · Depth 6

04Reverb (Studio Plate block)

Replicates the Abbey Road studio acoustic space

Decay 4 · Mix 3
Why these settings

The semi-hollow Harley Benton 335 with humbuckers naturally delivers warm lower-mids similar to George Harrison's Les Paul, but rolling the guitar tone back to 7 smooths the attack for that iconic vocal quality. The Spark's Black Duo amp model stays clean, so the Vintage OD block is dialed low to provide the exact tube push without masking the rotary modulation. Modulation speed is set moderate to match the Leslie 122 cabinet's slow rotor sweep on the master take.

PRO TIPPick with the flesh of your thumb or a very soft attack near the fretboard to round out the initial pick transient and let the rotary modulation bloom through the sustained notes.

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These settings are for a Positive Grid Spark 40. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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