Tone library / The Beatles / let it be

let it be amp settings — Laney LX 12

The The Beatles guitar tone for “let it be”, dialed in for a Laney LX 12 with a Yama RGX121Z. Album version solo, Let It Be (1970)

Original rig

1957 Gibson Les Paul ('Lucy') into cranked Fender silverface Twin Reverb / Deluxe Reverb

Warm, fat, saturated vintage rock solo with smooth sustain and singing upper mids
Amp settings — Laney LX 12
CHANNELCleanBOOSToff
GAIN 2 BASS 6 MID 6 TREBLE 5 MASTER 5
KnobSetting (0–10)
Gain2
Bass6
Mid6
Treble5
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Cuvave / M-Vave Cube Baby (Overdrive/Distortion)

Primary gain source. Use the OD/Distortion block set for smooth vintage crunch, keeping cab sim off since you are running into a real guitar amp.

Drive 7 · Tone 5 · Level 6

02Cuvave / M-Vave Cube Baby (Delay/Modulation)

Set to a subtle, faint room delay/slapback to emulate the studio space ambiance.

Time 3 · Mix 2
Why these settings

The Laney LX12 is a solid-state practice amp with only Gain, Bass, and Treble/Mid (global tone on basic models, with no presence or built-in reverb). To replicate cranked Fender tube saturation without harsh solid-state clipping, the Cube Baby serves as the dedicated gain source into the Laney's clean channel with amp gain kept low at 2. Your Yamaha RGX121Z humbucker provides the necessary body and output, but roll the tone knob down to 8 to mimic the darker, singing warmth of George Harrison's Les Paul.

PRO TIPDig in with a medium-heavy pick right above the middle pickup rather than close to the bridge to capture Harrison's rounded attack and thick note bloom on the bends.

Get this tone on your amp

These settings are for a Laney LX 12. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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