Stranglehold amp settings — Boss Katana 50 MkII
The Ted Nugent guitar tone for “Stranglehold”, dialed in for a Boss Katana 50 MkII with a Gibson Les Paul Standard 50s. Studio version, Ted Nugent debut album (1975), Sound Pit Atlanta — single take with overdubbed harmonized feedback
1964 Gibson Byrdland → 4x Fender Twin Reverbs + 4x Dual Showman cabs, no pedals
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 6 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 2 |
| Master | 7 |
Original was a hollow-body Byrdland (low output, bright, feedback-prone) through clean Fender Twins cranked for volume — the breakup came from sheer SPL and guitar resonance. Your Les Paul has hotter humbuckers and thicker mids, so I dropped treble by 1 vs typical Fender settings and raised mid +1 to compensate for the Katana's Crunch voicing being tighter than a cranked Twin. Gain at 6 replicates the edge-of-breakup character without modern saturation.
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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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