Prison Song amp settings — Marshall DFX 100
The System Of A Down guitar tone for “Prison Song”, dialed in for a Marshall DFX 100 with a Ibanez RG470AHM. Studio version, Toxicity album (2001)
Mesa/Boogie Dual Rectifier + Marshall Plexi 1959SLP, Ibanez Iceman / Fender Big Apple Strat, Ibanez TS9 Tube Screamer, 4x12 cab
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 4 |
| Treble | 7 |
| Presence | 5 |
| Reverb | 0 |
| Master | 5 |
01Hotone Ampero One - Tube Screamer model
Use the TS808 or Tube Screamer model in the Ampero One. This tightens the low end and adds midrange cut. Place BEFORE amp block in signal chain. Drive low—it's a boost, not the main gain source.
02Hotone Ampero One - Noise Gate
Essential for tight palm-muted riffs. Fast decay keeps chugs percussive.
The Marshall DFX is a solid-state amp with less low-end thump than a Dual Rectifier, so bass is pushed to 6 to compensate. Mids are set to 4 (slightly scooped) rather than the extreme Rectifier scoop because the DFX doesn't have the same low-mid density—going lower would sound thin. The Ampero One's TS model is critical here: it replicates the TS9's mid-hump and bass cut that Daron used to tighten the Rectifier's flub. Your RG470AHM's humbuckers have similar output to the Iceman, so no gain compensation needed.
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These settings are for a Marshall DFX 100. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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