She's gone amp settings — Laney AH40
The Steelheart guitar tone for “She's gone”, dialed in for a Laney AH40 with a Epiphone Les Paul Studio. Studio version, Steelheart self-titled debut album (1990)
Marshall/Mesa-Boogie tube stacks, high-output humbucker guitars (likely Ibanez or Gibson), minimal effects — tone is amp-driven with studio reverb/delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 4 |
| Master | 6 |
01Overdrive/Distortion Pedal (TS-style or DS-1)
RECOMMENDED — not currently owned. The Laney AH40 is a keyboard/acoustic amp with solid-state clean voicing and will not produce tube-like saturation on its own. A Boss DS-1 (~$50) or Behringer TO800 (~$25) is essential to get anywhere near this tone.
02Digital Delay
RECOMMENDED — not currently owned. A slapback-to-medium delay (300-400ms) adds the spatial depth heard on the solo. TC Electronic Flashback Mini or Boss DD-3 are solid options.
The Laney AH40 is a flat-response keyboard amp — it has no preamp distortion circuit and cannot replicate cranked Marshall saturation. The amp settings above maximize its limited EQ shaping, but the gain knob will only add volume, not overdrive. You MUST use a drive pedal to get any distortion. Mid pushed to 7 compensates for the amp's inherently scooped keyboard voicing; the Epiphone's humbuckers will help with sustain but the tone will remain thinner and less compressed than the original without a proper drive pedal.
Get this tone on your amp
These settings are for a Laney AH40. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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