Kawan, Tenanglah! (From "Bandung sore") amp settings — Mooer GE150
The Sore Sore guitar tone for “Kawan, Tenanglah! (From "Bandung sore")”, dialed in for a Mooer GE150 with a Fender Jazzmaster. Studio recording, Bandung sore (2024)
Fender-style single-coil guitar into clean Fender/Vox tube combo with subtle analog chorus, tape delay, and hall reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 5 |
| Mid | 6 |
| Treble | 5 |
| Reverb | 5 |
| Master | 7 |
01Mooer Chorus Block
Placed pre-delay for lush, warm modulation
02Mooer Tape Delay Block
Dotted-eighth or quarter-note ambient repeats
03Mooer Hall Reverb Block
End of chain for airy indie space
The Jazzmaster's wide single-coil pickups provide the airy chime essential to this track, so running in the middle position (both pickups) yields the perfect balance of snap and body. On the Mooer GE150, the US Twin model keeps headroom high while the mid control is bumped slightly to prevent the naturally scooped Jazzmaster tone from thinning out. Reverb and chorus mix levels are dialed to create a lush wash without obscuring the chord definition.
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These settings are for a Mooer GE150. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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