Tone library / Slipknot / Wait and Bleed

Wait and Bleed amp settings — Orange Crush 20

The Slipknot guitar tone for “Wait and Bleed”, dialed in for a Orange Crush 20 with a Schecter Omen 6. Studio version, Slipknot (1999 debut album)

Original rig

Mick Thomson: Rivera KR-7 / Jim Root: Orange Rockerverb 100 into V30 4x12, Jim Root Telecaster or Ibanez MTM with EMG/Seymour Duncan Blackouts active pickups, Maxon OD-820 boost, noise gate, drop B tuning (11-56+ strings)

Tight low-end, brutal high-gain, drop-tuned chug, aggressive staccato riffs with cutting mids for melodic sections
Amp settings — Orange Crush 20
CHANNELDirty
GAIN 10 BASS 7 MID 5 TREBLE 6 MASTER 5
KnobSetting (0–10)
Gain10
Bass7
Mid5
Treble6
Master5
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Noise Gate (e.g. Boss NS-2 or TC Sentry)

RECOMMENDED — not currently owned. Essential for tight staccato chugs without string noise between hits. Run guitar → gate input → gate output → amp.

Threshold 6 · Decay 3
Why these settings

The Crush 20 shares Orange's mid-forward voicing with the Rockerverb but has far less gain on tap. Maxed gain reaches aggressive crunch but not the face-melting saturation of the original. Bass raised +1 vs original ratio to compensate for the smaller 8-inch speaker's thinner low end. Your Schecter's passive humbuckers are darker and lower output than Root's active EMGs, so treble stays at 6 to preserve attack clarity.

PRO TIPPalm mute directly over the bridge saddles with the heel of your picking hand for that percussive, machine-gun chug — loose muting produces flub that no amp setting can fix on drop-tuned riffs.

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These settings are for a Orange Crush 20. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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