the devil in i amp settings — ridgewood yes
The slipknot guitar tone for “the devil in i”, dialed in for a ridgewood yes with a ridgewood yes. Studio version, .5: The Gray Chapter (2014)
Jim Root: Orange Rockerverb 100 MKII + Fender Jim Root Telecaster (EMG 81/60); Mick Thomson: Rivera KR7 + Ibanez MTM1 (EMG 81). Both tuned B-Gb-B-E-Ab-Db (Drop B).
| Knob | Setting (0–10) |
|---|---|
| Gain | 10 |
| Bass | 7 |
| Mid | 4 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 5 |
01Noise Gate (RECOMMENDED — not owned)
RECOMMENDED — essential for high-gain metal to kill string noise and tighten palm mutes. ISP Decimator or Boss NS-2 are standard choices. Place before amp input.
02Overdrive/Boost (RECOMMENDED — not owned)
RECOMMENDED — a Tube Screamer style OD with drive at 0, used as a clean boost to tighten low-end and add pick attack. This is standard practice for modern metal tones.
Your Ridgewood amp is an unknown/budget model, so I'm giving you aggressive baseline metal settings: gain maxed, bass strong but not muddy, mids scooped to 4 for that modern metal thump, treble moderate for articulation without fizz. The original uses high-end tube amps with tight power sections — your amp will likely be looser and fizzier at max gain, so if it sounds harsh, drop treble to 5 and gain to 8. Without a noise gate, this tone will be noisy; muting discipline is critical.
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These settings are for a ridgewood yes. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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