phsychsocial amp settings — Randall NB15
The slipknot guitar tone for “phsychsocial”, dialed in for a Randall NB15 with a Jackson X Series Kelly KEXT. Studio version, All Hope Is Gone (2008)
Jim Root: Orange Rockerverb 100 + Diezel Herbert, Fender Jim Root Telecaster w/ EMG 81/60. Mick Thomson: Rivera KR-7, Ibanez MTM w/ Seymour Duncan Blackouts. Both in Drop A (A-E-A-D-F#-B). Maxon OD-820 for lead boosts, noise gate critical.
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 6 |
| Mid | 4 |
| Treble | 7 |
| Presence | 0 |
| Reverb | 0 |
| Master | 5 |
01Noise Gate (RECOMMENDED — not owned)
RECOMMENDED — not currently owned. Essential for Drop A chugs—the silence between notes defines this tone. Boss NS-2 or ISP Decimator II are standard choices. Without a gate, palm mutes will be muddy and undefined.
Your Randall NB15 is voiced for modern metal with tight low-end, making it a strong match for this tone. The original uses scooped mids (around 4-5) which I've kept. I pulled bass down to 6 instead of the 7-8 cited in sources because the NB15's smaller 8" speaker will fart out in Drop A with bass maxed—your Jackson's passive pickups also run slightly hotter into the preamp than a stock guitar. Presence at 0 prevents fizz on the Randall's solid-state power section.
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These settings are for a Randall NB15. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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