Behelit amp settings — Harley benton Hb-20g
The Slaughter to Prevail guitar tone for “Behelit”, dialed in for a Harley benton Hb-20g with a Epiphone Les Paul Studio. Studio version, Behelit EP (October 2024, Sumerian Records)
High-gain digital modeler (Fractal/Kemper) or Mesa/Peavey high-gain head, 7/8-string guitars with active pickups, likely Horizon Devices Precision Drive or similar tight boost in front, studio post-processing with surgical EQ and compression
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 4 |
| Mid | 3 |
| Treble | 7 |
| Presence | 0 |
| Reverb | 0 |
| Master | 5 |
01Boss ME-70 Noise Suppressor
Essential for high-gain deathcore — engage always to kill hum between chugs
02Boss ME-70 Compressor (CS type)
Tightens pick attack and evens out djent-style chugs
03Boss ME-70 Overdrive (OD-1 or T-Scream mode)
Used as a clean boost/tightener into the amp's overdrive channel — drive at 0 to avoid mud, level high to push front end
04Boss ME-70 Parametric EQ
Scoop 400-800Hz slightly for modern deathcore clarity; boost highs for pick definition
The HB-20G is a 20W solid-state practice amp with an 8-inch speaker — it cannot physically reproduce the subterranean low-end or crushing SPL of studio deathcore tones. I compensated by pulling bass to 4 (prevents speaker flub), boosting treble to 7 (restores pick attack lost through small driver), and scooping mids to 3 (approximates the modern metal scoop). The ME-70's OD-as-boost and compressor are doing the heavy lifting to tighten the amp's inherently loose solid-state gain. This is the closest achievable approximation — honest expectations required.
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These settings are for a Harley benton Hb-20g. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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