Tone library / Sex pistols / Anarchy in the uk

Anarchy in the uk amp settings — Blackstar Amped 2

The Sex pistols guitar tone for “Anarchy in the uk”, dialed in for a Blackstar Amped 2 with a Gibson Les Paul Standard 60s. Studio version, Never Mind the Bollocks (1977) — original single recorded October 1976 at Wessex Studios

Original rig

1974 Gibson Les Paul Custom (bridge humbucker) → MXR Phase 45 → 1972 Fender Twin Reverb (Vibrato channel, Bright ON, dimed)

Raw, aggressive power-amp crunch with slashing treble bite, roaring midrange, and tight low-end — the definitive punk rhythm tone
Amp settings — Blackstar Amped 2
CHANNELOD2 (highest gain channel, ISF full CCW toward American voicing to approximate Twin Reverb character)
GAIN 7 BASS 6 MID 8 TREBLE 8 PRESENCE 0 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain7
Bass6
Mid8
Treble8
Presence0
Reverb0
Master7
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Marshall JMP800 (used as clean boost only)

Run as a clean boost to push the amp harder — Jones used no distortion pedal, just a dimed clean amp. Your JMP800 pedal adds unnecessary gain stages; keep drive minimal or bypass entirely for authenticity

Gain/Drive 2 · Tone 6 · Level/Volume 7

02Phaser (MXR Phase 45 style)

RECOMMENDED — not currently owned. Jones specifically used an MXR Phase 45 (single knob, subtle sweep) on this track only. A Phase 90 at low speed approximates it. Without this, you lose the swirling texture on the rhythm tracks

Speed/Rate 3
Why these settings

The Blackstar Amped 2 is darker and more compressed than a cranked Twin Reverb, which had brittle, scooped American clean headroom pushed into power-amp breakup. Set ISF fully counterclockwise to get closer to that Fender voicing. Treble and mid are pushed high (+8) because the original had Treble at 9 and Mid at 10 on a bright-switched Twin — the Blackstar needs this aggression dialed in manually. The original had zero reverb; the raw, dry attack is essential to the punk aesthetic.

PRO TIPJones recorded multiple identical rhythm tracks with the Phase 45 slightly out of sync between takes, creating a massive wall of guitars. If you have a looper or DAW, double-track your rhythm part with the phaser at slightly different speeds on each pass to replicate that dense, churning texture that made this track sound larger than life.

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These settings are for a Blackstar Amped 2. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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