The evil has landed amp settings — Boss Katana 50 MkII
The Queens of the stone age guitar tone for “The evil has landed”, dialed in for a Boss Katana 50 MkII with a Manson Mbm 1. Studio version, Villains (2017) — Mark Ronson produced
Ampeg VT-22 or V4 head, Ovation GP preamp, Fulltone OCD, various fuzzes, Maton BB1200 or Gretsch hollowbody with humbuckers
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 7 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 0 |
| Master | 8 |
01Katana Booster (internal — accessed via Tone Studio)
Use the Blues Driver or Clean Boost model in Tone Studio to push the Brown channel — this mimics the OCD-into-Ampeg stack
The Katana's Brown channel nails the compressed, harmonically saturated midrange of Homme's Ampeg platform. Your Manson MBM-1 with its hot humbuckers will push the input harder than Homme's Maton, so gain stays at 7 rather than maxed. Mid at 7 compensates for the Katana's slightly scooped Brown voicing vs the Ampeg's naturally forward mids. Presence pulled to 4 to avoid fizz — Homme's tone is dark and grinding, not bright.
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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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